Contemporary Art



VO 01, 2019
Archival pigment print
19. 6 x 15.7 in. (49.7 x 39.8 cm)



Equilibrium Membrane #7, 2015
Acrylic on linen
31 1/2 x 23 5/8 in. (80 x 60 cm)

                                              WHANKI KIM (1913-1974)
                                                       Untitled, 1963
                                                     Gouache on paper
                                        12 1/2 x 9 1/4 in. (31.7 x 23.4 cm)

EMERSON WOELFFER (1914 – 2003)
Spray paint, acrylic, and collage on canvas
29 x 24 in. (74.9 x 60.9 cm)

Acrylic on canvas
60 x 40 in (152 x 102 cm) 

Read the artist’s bio here.

                                “In stressing how the work of Su Kwak is beautiful and well-crafted, I realize there are many people today who see an aspiration to beauty or skill as being as out of date as an aspiration towards spirituality.  However, it has been my experience (and the experience of many who study the history of art) that what tends to survive the test of time is usually that which is best made and visually most compelling. Skill and beauty may be in the eye of the beholder, but even if we cannot define them absolutely, we can still recognize them.  For that reason, I believe the art of Su Kwak will have a rich future.”

                                                                                       Sandy Kita

Professor Emeritus of art history and senior scholar at Chatham University in Pittsburgh, Pennsylvania. Excerpted from a catalogue essay for Su Kwak’s “Light and Time” series.

GEEJO LEE (B. 1959)
Moon Jar, 2019
White porcelain
21 5/8 in (55 cm) high

CHO TAIKHO (B. 1957)
Untitled, 2014
Signed and dated Taikho
Acrylic on canvas
56 1/4 x 37 1/4 in (142.9 x 94 cm)

CHO TAIKHO (B. 1957)
Light 1, 2016
Acrylic on canvas
38.2 x 57.5 in (97 x 146 cm)

Read the artist’s bio here.