Tschangyeul Kim is a well-known artist in Korea, the United States and France. Born in Seoul, Kim studied at the Colleage of Fine Arts, Seoul National University from 1948 to 1950. He also studied at the Art Students League of New York from 1965 to 1968. In 1969 he moved to Paris exhibiting at the 2nd Paris Biennale in 1961 and at the 8th Sao Paulo Biennale in 1965. From 1972 to 1976 he participated in the Salon de Mai, Paris. In 1976 and 1979 he had one-person exhibitions at Hyundai Gallery, Seoul. He also exhibited at the Tate Gallery, Liverpool in 1992 and he had retrospective at the National Museum of Contemporary Art, Seoul in 1993. In 1994 he had another retrospective at the Sunje Museum, Kyung ju, Korea. He had one-person exhibition at the Jeu de Paume, Paris in 2004. His paintings were exhibited in Beijing in 2005. Kim lives and works in Seoul and Paris.

Kim took his subject—fields of harsh stones—from photos he took before he left Korea for the United States in 1974. He used them first for his silkscreen print “Situation” in 1970, before adapting it to paintings. His recent work explores the symbolic relationship between the natural world and (pi), a transcendental number used to express ratios in mathematics, physics and chemistry.

The artist was born in Yamaguchi Prefecture, Japan. His family moved to Gyeongju, Korea, in 1944. He graduated from Seoul National University in 1963 and received his MFA from Pratt Institute in New York. He has had one-person exhibitions at the Associated American Artists Gallery, New York, in 1977, the Space Gallery, Seoul, in 1979 and 1984, the Iteza Gallery, Kyoto, in 1986 and the Gallery Hyundai, Seoul, in 1993, Marronnier Art Center, Korean Culture and Arts Foundation, Seoul, in 2002, and in the “Lee Joongsub Award Show” at the Choson Il-bo Museum, Seoul, in 2003. His work was exhibited in “Acquisitions ’73-’76,” at the Museum of Modern Art, New York, in “30 Years of American Printmaking,” at The Brooklyn Museum in 1974, and “Six Artists from Korea,” at Grace Borgenicht Gallery, New York, in 1995. Kim’s work is in the collection of the Leeum Samsung Museum of Art, Seoul, the National Museum of Contemporary Art, Gwachon, Korea, the Library of Congress, Washington, DC, the Museum of Modern Art, New York, The Metropolitan Museum of Art, New York, The Brooklyn Museum, and the Cincinnati Art Museum, among others.

CHO TAIKHO (B. 1957)
Born in Chungnam province, Korea, Cho graduated from the École Nationale Supérieure des Beaux-Arts de Paris in 1988. He has had one-person exhibitions at Galerie Pierre Lescot, Paris, in 1987, 1989 and 1992; Gallery Sigma, New York, in 1990; Gallery Hyundai, Seoul, in 1991; Gallery Bhak, Seoul, in 1993 and 1995; Galerie Gana-Beaubourg, Paris, in 2001; Gallery Insa Art Center, Seoul, in 2003; and Gana Art Gallery, Seoul, in 2012.

Bohnchang Koo currently lives and works in Seoul. Thematically dealing with the passage of time in his work, he captures still and fragile moments to reveal the unseen breath of life. Since 2004, Koo has photographed Korean Joseon white porcelains in his vessel series which highlight the beauty of Korea’s cultural heritage.

Bohnchang Koo attended Yonsei University majoring in Business Administration in Korea and later studied photography in Germany. Presently he is professor at Kyungil University. His works have been exhibited in over 40 solo exhibitions and are in numerous public collections including the San Francisco Museum of Modern Art; the Museum of Fine Art, Houston; the Kahitsukan Kyoto Museum of Contemporary Art; Musee Guimet, Paris; the National Museum of Contemporary Art, Korea. He was an artistic director for 2008 Daegu Photo Biennale and one of the collaborating curators for Photoquai 2013, Paris and also a nominator for Discovery Award of 2014 Arles photo festival. He is the author of “Deep Breath in Silence”, “Revealed Personas”, “Vessels for the Heart”, “Hysteric Nine”, “Vessel”, and “Everyday Treasures”.

GEEJO LEE (B. 1959)
Geejo Lee was born in Korea on the island of Jeju. He earned a BFA and MFA at Seoul National University. Inspired by the traditional beauty of Joseon period white porcelains, he brings a fresh and modern interpretation to his work. He participated in numerous group exhibitions including the “Constancy & Change in Korean Traditional Craft 2014”, at the Triennale di Milano, in 2014. Lee currently teaches at Chungang University.